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Early incarnations of Genesis were often targets for criticism during the 1970s. An article in Q Magazine describes a 1977 Ray Lowry cartoon, which depicted an arena of "either asleep, moribund, [or] comatose" fans watching a live Genesis performance, with the band's name emblazoned on a banner above the stage reading "GENESNOOZE".

More specifically, some in Britain – especially supporters of the punk movement – regarded Genesis in particular, but also the progressive rock genre more generally, as overtly middle class (paying particular attention to Gabriel, Banks and Rutherford's private education), and claimed that rock music was being taken away from the working class, whom they regarded as its core audience. Peter Gabriel claimed that their audience was a "mixture of social classes" and that such a suggestion was a fabrication of the critics. In 2013, Gabriel told Mojo: "To this day, we’ve never outgrown the snotty rich-kid thing. It used to piss me off seeing all these 'people's hero' musicians – like Joe Strummer – who’d come from a similar background to mine, but were keeping it quiet. In Genesis we were always very straight about where we came from, and we were middle-class, not aristocratic."

Gabriel's theatrics were unpalatable to some of the mainstream rock audience, resulting in a cult following rather than mainstream. This was exemplified during live performances of Gabriel's last Genesis album, The Lamb Lies Down on Broadway, during which he appeared on stage as various characters in the album's lyrics. The elaborate storyline for The Lamb proved difficult to understand and accept, and caused a bit of friction within the band. Collins later recalled that Gabriel would "be in a Slipperman costume trying to get a mic anywhere near his throat, and be out of breath—all twisted up. Towards the end I felt the singing wasn't really being heard; the songs weren't really being heard".

BBC Radio 1 DJ John Peel championed the band in their early years and they performed three sessions for him between 1970 and 1972, but "he grew disillusioned with their later excesses". Peel was quoted: "I used to go and see Genesis and after about three minutes I'd think, oh, I wish this would stop!"

Conversely, the band's transition from lengthy, complex songs to more compact, simplistic, radio-friendly material was not welcomed by critics; Rolling Stone''s review of ...And Then There Were Three... read: "...this contemptible opus is but the palest shadow of the group's earlier accomplishments." "I don't feel we've bastardised the way we were", Collins remarked in an interview with Music Express: "on a generous day I'll blame me for the change, but I just think it is us growing up, listening to different things".

In a 1982 interview in Sounds, Collins talked about the band's reputation in the music press and said that he only knew of one music journalist, Hugh Fielder, who openly liked Genesis.

In 1987, Los Angeles Times critic Robert Hilburn stated: "There's something flabbergastingly insignificant about Genesis. Its themes touch on the usual subjects – various desires and disappointments in love and life – but there is scant discovery. That isn't music that documents our times or questions our assumptions, the way involving art does. Rather than bite, probe or surprise, Genesis' music just lulls. No wonder it fits so perfectly into beer commercials." Hilburn expressed more admiration for the earlier version of the band, describing it as "a promising, if often overly ambitious progressive-rock entry, highlighted by expert musicianship and the showmanship/imagination of lead singer Peter Gabriel."

Reviewing Genesis 1976–1982 in Q, Andy Fyfe wrote: "... in spite of 150 [sic] million album sales the bottom line is that little of the band’s output has aged well ... There are moments of impressive songwriting, such as the tender "Many Too Many", the darkly tragic "Duchess" and epic "One for the Vine", but little of Genesis's music transcends in the way real classics do, and that is why they will remain perennial whipping boys for decades to come."

Formed by five pupils at Charterhouse School, Genesis were initially regarded as a "pop experiment" as evident by their debut album, From Genesis to Revelation (1969). They evolved into a progressive rock band with Trespass (1970) and Nursery Cryme (1971), which showcased longer tracks, fantasy inspired lyrics, and complex song structures and instrumentation. Their success continued with Foxtrot (1972), which features the 23-minute track "Supper's Ready", and Selling England by the Pound (1973). Genesis concerts during this time became theatrical experiences with stage design, pyrotechnics, story telling, and singer Peter Gabriel wearing make-up and costumes. In 1975, after touring in support of their double concept album The Lamb Lies Down on Broadway (1974), Gabriel left the band. Collins would handle drums and lead vocals on their subsequent studio albums, of which three more were released in the 1970s: A Trick of the Tail (1976), Wind & Wuthering (1976), and ...And Then There Were Three... (1978). The single "Follow You Follow Me" from the latter was a major international success and represented a change in their musical direction, becoming more pop-oriented and commercially accessible.

In 1980, Genesis scored their first UK number one album with Duke (1980). Their commercial success grew with further UK number one albums Abacab (1981) and Genesis (1983), which coincided with Collins's increasing popularity as a solo artist. The band peaked with Invisible Touch (1986), their best-selling album, from which all five singles released entered the top five on the US Billboard Hot 100 chart, with "Invisible Touch" reaching the number one spot. In 1991, after a five-year break, Genesis continued their mainstream success with We Can't Dance (1991) which contained the worldwide hit single "I Can't Dance". In 1996, Collins left the band, which led to Ray Wilson taking his place on vocals. Wilson, Banks, and Rutherford released Calling All Stations (1997) which sold well in Europe but peaked at number 53 in the US, their lowest charting album since 1974. Following a European tour in 1998, the band went on hiatus.

In 2006, Banks, Rutherford, and Collins reunited for their 2007 Turn It On Again Tour which included a free concert in Rome that was attended by 500,000 people. The future of the band remains uncertain; Collins stated that he was retiring from the music industry in 2011 but has since indicated he is considering a return,[3] whilst Banks indicated that Genesis had come to an end during an interview in 2012. In 2014, Gabriel, Banks, Rutherford, Collins, and Hackett reunited for a BBC documentary, Genesis: Together and Apart.

Genesis are an English rock band formed in 1967.
With approximately 150 million albums sold worldwide, Genesis are among the top 30 highest-selling recording artists of all time.
In 1988, the band won a Grammy Award for Best Concept Music Video.
On 7 July 2007, Genesis participated at Live Earth, a series of concerts to promote action to confront global climate change.
Stage fright forced founding member Anthony Phillips to leave the band in 1970. In 1975, Collins, then the band's drummer, replaced Gabriel as lead singer


70's Rock

Follow you follow me

80's Hits

In Too Deep
Invisible Touch
Land of Confusion
That's All
Tonight, Tonight, Tonight

90's Hits

I Can't Dance

Members of this Group








Azumy Aeon Flu...



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