The band released their third album, True, in March 1983. Produced by Tony Swain and Steve Jolley, the album contained a slicker pop sound. It was at this point that Steve Norman began playing saxophone for the band. Preceded by the title track which reached number one in various countries, the album also reached number one in the UK. Their next single, "Gold", reached number 2.
The follow-up album, Parade, was released in June 1984 and its singles were again big successes in the charts in Europe, Oceania and Canada. The album's opening song, "Only When You Leave", became the band's last American hit. At the end of 1984, the band performed on the Band Aid charity single and in 1985 performed at Wembley Stadium as part of Live Aid. During this same year, Spandau Ballet achieved platinum status with the compilation The Singles Collection, which kept the focus on the band between two studio albums and celebrated its five years of success.
In 1986, Spandau Ballet signed to CBS Records and released the album Through the Barricades, in which the band moved away from the pop and soul influences of True and Parade and more toward rock. Though the first single, "Fight For Ourselves", peaked at 15 in the UK, the title track and the album both reached the Top 10 in the UK and Europe.
Spandau Ballet /ˈspændaʊ ˈbæl.eɪ/ are a British new wave band formed in London in the late 1970s. The band initially was inspired by, and an integral part of, the New Romantic movement, becoming one of the most successful groups to emerge during the New Romantic era.
The group's debut single "To Cut a Long Story Short", which reached No. 5 in the UK in 1980, was the first of ten UK Top 10 hits, including a No. 1 single in 1983 with the song "True". The band also has had eight UK Top 10 albums, including three "greatest hits" compilations and an album of re-recorded material.
The band was called 'The Makers' in the early years, but profess to have changed their name after a friend’s (BBC London 94.9 DJ Robert Elms) visit to Spandau, a borough of Berlin, the inspiration being from graffiti he saw in the lavatory of a club there.
The term Spandau Ballet may have two likely origins: referring to the spasms of Nazi war prisoners as they "danced at the end of the rope", when they were hanged at Spandau Prison, or according to others, referring to lines of enemies being gunned down by the infamous WW2 German machine gun MG42 "Spandau" (both origins pointing anyway to the same macabre Nazi heritage). This is a contentious point. The more likely source of the name came in fact from graffiti on the wall of a lavatory in The Venue, London (Victoria) in 1978/9, where members of the originally named band worked. These members were; (Michael J) Mick Austin (now artist), David Wardill (later David Agar of The Passions), and Mark Robinson (now 3D artist/musician),and Gordon (Drums). They had been playing under the name Spandau Ballet since 1978 and had played in London once under this name at the Hope & Anchor, Islington, London on 6 May 1979 supporting The Softies. The new Spandau Ballet, with Martin Kemp and Tony Hadley, began performing with this name and generating a positive buzz around London. Their music prior to then was very R&B in the style of the early Rolling Stones or The Kinks, but became more electronic as they started to hang out in clubs such as Billys and Blitz nightclub, where they would listen to bands like Kraftwerk and Telex. The Blitz was regarded as the birthplace of a new 1980s music and fashion phenomenon called New Romanticism.
With a slicker, adult contemporary sound, the band released their third album True in (March 1983), produced by Tony Swain and Steve Jolley, who would go on to enjoy a couple of years as the "producers du jour" in Britain. In December 2007, unconfirmed reports indicated that the entire lineup of Spandau Ballet had agreed to reunite to perform a show at a Las Vegas luxury property for £2-million.
The song was a huge worldwide hit, peaking at number one in the UK for four weeks in the spring of 1983, becoming the sixth biggest selling single of the year, and charting highly in 20 other countries. It is Spandau Ballet's biggest hit and their most remembered song in the U.S., reaching number four on theBillboard Hot 100 chart in the autumn of that same year and topping the adult contemporary chart for one week.
Funny how it seems
Always in time, but never in line for dreams
Head over heels,when toe to toe
This is the sound of my soul
This is the sound
I bought a ticket to the world
But now Ive come back again
Why do I find it hard to write the next line
When I want the truth to be said
I know this much is true
With a thrill in my head an a pill on my tongue
Dissolve the nerves that have just begun
Listening to marvin all night long
This is the sound of my soul
This is the sound
Always slipping from my hands
Sands a time of ts own
Take your seaside arms and write the next line
Oh I want the truth to be known